A Landmark Photographic Exhibition

Exhibition: 10th March – 6th April 2010 Somerset House
Private View: Tuesday, 9th March 2010
Auction: 15th April 2010, Christie’s, King Street, London

The must-see photographic event for London 2010, showcasing the finest 20th and 21st century photography from around the world

For one month only, from 10th March to 6th April 2010, A Positive View returns to showcase an extraordinary range of photography on a truly international scale, under the Royal Patronage of Prince William supporting Crisis, the homelessness charity.

The third edition of this fully curated, museum-scale photographic exhibition, to be held at Somerset House, will bring together more than 100 rare and signed vintage works across almost a century of photography; classic and contemporary works will cross a variety of genres, from still-life, fashion, landscape, portraiture and reportage. It will be followed by a Royal Gala reception and auction at Christie’s on 15th April, in aid of Crisis.

Two outstanding masterpieces by Henri Cartier-Bresson will be on show; his renowned Seville (1933) and the magical Queen Charlotte’s Ball, London (1959). Other highlights will include a rare landscape by Elliot Erwitt, Wyoming Steam-Train Press, (1954); Friends of the Spanish Press (1968) by the winner of the 2007 Venice Biennale Golden Lion, Malick Sidibe, a haunting image from Robert Polidori’s New Orleans series (2006) and Corinne Day’s iconic and first-ever seen photograph of the supermodel Kate Moss, Kate (1990). These will be shown along with a stunning still life of Francis Bacon’s Studio (2001) from Perry Ogden’s 7 Reece Mews series and Wim Wenders’ classic Lounge Painting, Gila Bend, Arizona (1987).

For the first time, A Positive View will also feature work from contemporary artists whose creative practice incorporates photography, with geographically diverse representations from Korea, China, Japan and West Africa.

With signature works by Seydou Keita, Yum Joongho, Bohn-Chang Koo and Weng Fen among others, A Positive View will provide an unusual and interesting opportunity to consider how practitioners beyond Europe and America are working with photography. In another departure, the 2010 edition of A Positive View will also include works by unknown photographers, all clients of the homelessness charity Crisis who have been studying photography at the Crisis Skylight, education, training and employment centres in London and Newcastle.

Exhibition Curator, Nadim Samman states: “As A Positive View benefits people on the margins of society, this exhibition brings together images of a notional ‘centre’ – social icons, home, the West – with peripheral visions. In some cases the display suggests their unsettling interdependence. At the same time, as with previous editions, A Positive View continues to showcase the achievements of leading photographers past and present.”

Each of the works donated by the photographers, or their representatives and estates, have been included in the exhibition following a stringent selection process by A Positive View Patrons, who include Philippe Garner, International Head of Photographs at Christie’s, and Tim Jefferies, Director of Hamilton’s Gallery, with exhibition curator Nadim Samman.

Patron Philippe Garner said: “This exhibition is truly international in scope and represents the contemporary vitality and authority of the photographic medium across many genres. I have spent forty years as a champion of photography and I find it very rewarding to be part of such a stimulating project – one that invites us to celebrate the medium for so very worthwhile a cause.”

The exhibition will be followed by a Royal Gala reception – co-hosted by Barclays Wealth and Vogue – and the charity auction of 100 of the most collectible works at Christie’s London on 15th April 2010 with 100% of the sales proceeds going to Crisis.

Leslie Morphy, Chief Executive of Crisis, said: “We are delighted that the third edition of A Positive View will be in aid of Crisis. The quality of the international work donated has been extraordinary and the generosity of the photographers and their representatives without rival. The exhibition also poses a unique opportunity for our clients’ creative achievements to be recognised on an international platform. Prince William’s interest in homelessness and generous involvement as patron is a key ingredient to what promises to be the most impressive A Positive View yet.”

A 200-page fully-illustrated coffee-table book will be published in March, and will be available for purchase from Somerset House, Christie’s internationally, specialist art bookshops and online (£25, March 2010). A limited edition, signed and numbered hardback edition will also be available (£100, March 2010).

To date works have been donated by photographers or their representatives below:

Berenice Abbott
Bryan Adams
Miles Aldridge
Dick Arentz
Eve Arnold
Richard Avedon
Enqrique Badulescu
Roger Ballen
Bae Bein-U
Lillian Bassman
Cecil Beaton
Denise Bellon
Harry Benson
Rut Blees
Liu Bolin
Julian Broad
Richard Burbridge
Edward Burtynsky
Byun Soon-Choel
Bob Carlos Clarke
Henri Cartier-Bresson
Cho Seihon
Chun Kyung-Yoo
Jim Cooke
Tom Craig
Corinne Day
Patrick Demarchelier
Susan Derges
Robert Doisneau
Terrence Donovan
Arthur Elgort
Elliott Erwitt
Weng Fen
Tierney Gearon
Oberto Gili
Goo Kang-Hong
Brian Girffin
Roderik Henderson
Thurston Hopkins
Horst P Horst
Frank Horvat
Tom Hunter
Stephen Inggs
Yousuf Karsh
Seydou Keita
Steven Klein
William Klein
Koo Bohn-Chang
Jacques-Henri Lartigue
Kurt Markus
Jean-Pierre Masclet
Don McCullin
Mert and Marcus
Ryan McGinley
Shelia Metzner
Min Byung-Hyun
Abelardo Morell
Helmut Newton
Simon Norfolk
Perry Ogden
Oh Hein-Kuhn
Gwon Osang
Norman Parkinson
Irving Penn
Matthew Pillsbury
Robert Polidori
Wan Qingsong
Mark Quinn
Rankin
Herb Ritts
Grace Robertson
George Rodger
Willy Ronis
Malik Sidibe
Peggy Sirota
Manit Sriwanichpoom
Mikhail Subotzky
John Swannell
Juergen Teller
Mario Testino
Tessa Traeger
Ellen von Unworth
Albert Watson
Bruce Weber
Wim Wenders
Amiran White
Yoo Hyum-Mi
Tim Walker
Angela Williams
Richard Young
Yum Joongho

Editor’s Notes:

A Positive View
This is the third edition of A Positive View, a photography exhibition and auction founded by Andrew Page.

A Positive View was first held in London during 1994, sponsored by Vogue. The exhibition was held at the Saatchi Gallery and the auction was hosted by Sotheby’s. The event raised nearly £250k, benefiting the Chicken Shed Theatre Company. The Princess of Wales was Patron.

This success was followed by a second A Positive View in 2000, sponsored by Getty Images. The exhibition was held at the Atlantis Gallery in the Old Truman Brewery, Brick Lane, and the auction was hosted by Christie’s, raising almost £250k for national youth charity Fairbridge. Princess Alexandra was Patron.

Each exhibition featured over 200 donated and signed works, 120 of which were selected for auction. Images were attracted from 14 countries including the UK, America, Canada, Russia, France, Italy, Germany, Sweden, Spain, Australia, India, Brazil, Peru and South Africa.

Works were donated by photographers, agents, galleries and foundations representing major names such as; Parkinson, Snowdon, Erwitt, Hoyningen-Huene, Stern, Weber, Lucas, Alvarez-Bravo, Sirota, Demarchelier, Elgort, O’Neill, Lartigue, Ritts, Hanson, Deakin, Lagerfeld, Weegee, Penn, Weston, Horvat, Karsh, Miller, Hardy, Brandt, Salgado, Bailey, Arnold, Arentz, Moon, Beaton, Donovan, Lategan.

Crisis
Crisis is the national charity for single homeless people dedicated to ending homelessness by delivering life-changing services and campaigning for change.

The charity’s award winning education, training and employment centres, Crisis Skylight, offer practical and creative workshops to over 3000 homeless people a year in an inspiring environment together with formal learning opportunities that lead to qualifications and finding work. The wide range of courses include art, drama, photography, literacy, numeracy and IT, help people to restore their well-being, regain confidence, develop their skills and raise aspirations.

Members of the photography class in both London and Newcastle have been trained to such a high standard that a selection of the best photographs produced will be included in the exhibition.

www.crisis.org.uk

Nadim Samman – Curator
Nadim Samman read Philosophy at University College London before completing a Master’s degree at the Courtauld Institute of Art, where he is currently pursuing doctoral research on the reception of post-Soviet art in the West.

He has curated exhibitions featuring critically acclaimed artists and photographers including Tarkovsky, Parr, Teller, Ray Jones, Sutkus, Ponomarev and Makarevich. His writing has appeared in publications including The Art Newspaper, Contemporary, Art India, Asian Affairs, Erotic Review, WestEast (Hong Kong), and Naked Punch.

He has previously lectured at the 798 Beijing Biennale (2009), The School of Oriental and African Studies, The Royal Society for Asian Affairs, Christie’s and The Courtauld Institute of Art.

Sponsors
The profile and legacy of previous A Positive View exhibitions have attracted an impressive line-up of blue chip sponsors and supporters ensuring all overheads are covered. 100% of all income will benefit Crisis

Sponsored by Barclays Wealth
Gallery partner GlaxoSmithKlein
Book partner Samsung
International carrier FedEx

Philippe Garner – Christie’s
Philippe Garner is a Director of Christie’s and the firm’s International Head of Photographs and 20th Century Decorative Art & Design. He has been professionally involved with photographs since co-ordinating the 1971 auction that marked the launch of this subject in the international art market. In the intervening decades he has brought to auction a great diversity of material including major collections such as those of Marie Thérèse and André Jammes, Paul Walter, Gert Elfering and Leon Constantiner. Philippe is well known as a passionate advocate of the medium and has published widely on various aspects of photography that particularly interest him. He has curated exhibitions in London, Paris and Tokyo.

Contacts:

For further information / Use of pictures / Interviews
Idea Generation: +44(0)20 7749 6850
Natasha Hoare: natasha@ideageneration.co.uk
Natalie Tacq: natalie@ideageneration.co.uk
A Positive View website
Crisis website
Somerset House website

A new wave of Vauxhall Collective commissions are announced

Katie Paterson, Duncan Speakman, Seba Kurtis and Studio Glithero are this year’s brightest creative talent to be commissioned by Vauxhall Motors

Four of the most hotly anticipated artists, designers, theatre practitioners and photographers in the UK have been commissioned by the car company Vauxhall to create art works around the theme of re-inventing British classics. The result of the commissions is four stunningly imaginative and exciting works that throw open the concept of what is a British classic and highlight Vauxhall’s commitment to supporting style and design in the UK.

Chosen by a Style Council of industry experts and previous Vauxhall Collective members including Gideon Reeling and the photographer Gayle Chong Kwan this year’s members are the latest in an impressive line-up of up and coming artists that the initiative has supported, enabling them to take their work in new directions with complete artist freedom.

For 2009’s commissions, Scottish artist Katie Paterson has taken the British seaside town as her inspiration and will create an entrancing installation named Streetlight Storm, where a series of lights along a pier will flicker in sync with storm patterns around the world. The location of the installation will be announced later in the autumn. Paterson was chosen for her innovative approach to reinventing the British classic. The combination of this exciting work, bound up in the relationship between connectivity and the landscape through technology is eagerly awaited.

Theatre practitioner Duncan Speakman, using his unique form of “subtle mobs”, will take to the streets of three major cities in the UK. Combining cinematic style soundtracks and narrative on downloadable MP3 tracks, Speakman invites you to join him on a street near you and re-examine the everyday classic British city scene.
The Style Council chose Speakman for his pioneering approach to interactive theatre experiences and was excited to see how he would frame the UK’s urban landscape, turning the performances into a unique experience for each of the individual audience members.

Photographer Seba Kurtis will examine what it is to be British; combining images of Kurtis’ stereotypical idea of the classic British resident, from the English rose to the country gent, right through to his own modern interpretation of multicultural Britain. His proposition to capture the UK’s residents won the Style Council over and will be at once a compelling and a beautiful representation of Britain today.

Design partnership Studio Glithero will create a selection of ceramic objects entitled A Brief Moment of Happiness using an innovative technique that involves impregnating the surface of the ceramics with light sensitive chemicals to create ethereal and fleeting images of flowers. Taking inspiration from the blue and white china of the 18th century and detailed scientific drawings by British botanists, the Style Council was impressed by Studio Glithero’s ability to take inspiration from antiquated objects and bring them up to date with new technologies.

Last year’s commissions were based on the theme of The Great British Road Trip and saw photographs of the Scottish landscape inspired by Daguerre’s dioramas, a film that visits the self-declared King of the British Eccentrics, an art exhibition inspired by Funhouses, a 1950s tea party followed by a 1980s wedding reception, a glamorous, metallic leather driving set and a collection of design objects based on lost British craft techniques. With such strong commissions from the last year, the work of the Vauxhall Collective 2009 promises not to disappoint.

Each of the creatives will have the use of a Vauxhall car and will travel around the UK seeking out inspiration for their individual commissions. The commissions will be completed between October and December 2009 and will see a range of art works being produced by this exciting and varied group of artists.

The theme of re-inventing British classics was chosen as it chimes well with Vauxhall’s own work re-inventing the car as we know it in the form of the Ampera, its first electric car.

The Vauxhall Collective 2009 members’ biographies:

Fine Art: Katie Paterson

Katie Paterson’s artistic practice is multi-disciplinary, cross-medium, and conceptually driven, often exploring landscape by means of technology, and connectivity by way of moonlight, melting glaciers, and dead stars. Recent works include Earth–Moon–Earth (Moonlight Sonata Reflected from the Surface of the Moon), which involved the transmission of Beethoven’s Moonlight Sonata to the moon and back; Vatnajökull (the sound of), a live phone line to an Icelandic glacier; and All the Dead Stars, a large map documenting the locations of the 27,000 dead starts known to humanity.

Paterson graduated from the Slade School of Fine Art in 2007, where her final exhibition gained much attention and recognition among art critics, academics and the media, and was restaged a year later at Modern Art Oxford, where she was the youngest artist to be granted a solo-show. She has recently exhibited at Altermodern: Tate Triennial 2009, Tate Britain, Universal Code, Powerplant, Toronto, and Lifeforms, Bonniers Konsthall, Stockholm. Upcoming shows include PERFORMA 09, New York.

Theatre: Duncan Speakman

Duncan Speakman is an artist based in Bristol, UK. Originally trained as a sound engineer at the Liverpool Institute for Performing Arts, his work now examines how we use sound to locate ourselves in personal and political environments. Seeking out the poetics of the everyday, he creates socially relevant experiences that engage audiences emotionally and physically in public spaces. Alongside his art practice he is a senior lecturer in Media Practice at the University of the West of England and is currently developing site-responsive soundwalks, street games and pervasive theatre works.

He has been exhibited internationally and in 2001 was awarded the Clark Trust Bursary for digital arts and has received critical acclaim for his videoblog, 29 fragile days. In 2007 he was peer advisor on the Almost Perfect locative media residency at Banff New Media Institute and since 2008 has been an artist in residence at the Pervasive Media Studio, Bristol.

Photography: Seba Kurtis

Seba Kurtis is an artist and photographer who grew up in Buenos Aires. He studied journalism and was a political activist. With the political difficulties in Argentina, he left for Europe and remained in Spain as an illegal immigrant for over 5 years. This experience became the main inspiration for his work, an exploration of the dynamics behind irregular migration and the subsequent impact on culture, society and the individual. His recent work 700 miles, a series of portraits of illegal hispanic immigrants living on the US border, explores the identity of these often nameless people and celebrates the story behind the sitter. In Drowned, Kurtis highlighted the plight of tens of thousands of Africans who head for the Canary Islands every year. Many are suspected to have drowned off the coast of Spain, Kurtis recorded scenes around the Canary Islands and dropped the negatives into the ocean. The images that washed up on the shore are the images that survived.

Craft & Design: Studio Glithero

Studio Glithero is a London based Anglo-Dutch design alliance. Founded by Tim Simpson and Sarah van Gameren, who met at the Royal College of Art, the studio creates miraculous time-based installations, and processes which give birth to unique and wonderful products. With their own concoction of design performance, they aim to bridge creative disciplines and reach a universal audience. Recent projects include Pique & Double Pique, a pair of self-supporting candles, a series of vases impregnated with light sensitive chemicals and Big Dipper where an audience can witness the complete life of a product, from the moment the chandeliers are conceived until the moment they burn and perish.

Editor’s Notes:

Vauxhall Motors

With an ongoing commitment to championing style and design in the UK, British car marque Vauxhall is a keen supporter of creativity through initiatives such as the Vauxhall Art Car Boot Fair 2009, the Vauxhall Fashion Scout and the Vauxhall Collective.

Latest models include Insignia, the 2009 European Car of the Year and New Astra, a car that shares the same design language as Insignia and that will be built in Ellesmere Port, Liverpool.

Vauxhall is reinventing the car as we know it with Ampera. Vauxhall’s first electric car. The wheels are turned electronically at all times and all speeds and can be plugged into any household 240v outlet for charging.

Vauxhall Collective

The Vauxhall Collective is one of the most ambitious commercially-funded creative support schemes in the UK.

Members of the Vauxhall Collective are supported financially to carry out projects, consequently raising their profile in the industry and in the media, and giving them the resources to fulfil their creative potential.

In previous years Vauxhall successfully ran the VX Collective based on collaboration between members. Previous members have included Giles Deacon, Christopher Kane, Jonathan Kelsey, Simon Hasan, Ben Rivers, Gayle Chong Kwan, Matthew Darbyshire and Gideon Reeling.

Contacts:
For further information / Use of pictures / Interviews
Idea Generation: +44(0)20 7749 6850
Ellen Harrison: ellen@ideageneration.co.uk
Marta Bogna: marta@ideageneration.co.uk
Vauxhall Collection website
Vauxhall website

Durham bids to be UK City of Culture 2013 – The North East’s best kept cultural secret.
Embargoed until 10th September.

“For passion, creativity, an array of peerless assets and attractions and a palatable sense of community, Durham really is the perfect place.” Bill Bryson

A UNESCO World Heritage Site; home to stunning ancient architecture in the form of its Cathedral and University; host to renowned art events and festivals including an international literary festival, a two-week brass music gathering and a cutting edge festival of light, owner of the largest collection of decorative art outside of London and location to one of the most popular visitor attractions in the UK, tomorrow Durham will take part in a nationwide seminar to continue its bid to be UK City of Culture in 2013.

Durham’s culture is rooted in spirituality, knowledge and sense of place and its bid centres on three strands; Creative Durham a series of activities designed to grow the county’s cultural life, encourage community participation in cultural activities and promote Durham as an area where creative individuals can live and work; Festival Durham, an ambitious series of events and festivals which will take Durham into the next decade, cementing its position as a true cultural destination and Cultural City, a series of activities which seek to reconnect the communities of the county with their capital, and vice-versa, re-energising the city as the economic, social and creative heart of the county.

Strong Support for the bid:

An array of cultural personalities with connections to Durham are backing the bid. Among them is Bill Bryson: “My long standing love affair with Durham is well known as I have, without hesitation, lavished praise on its architecture, heritage, gardens, river. The more time I spend in the company of the people of Durham, the more I have come to realise that there really must be something in the water here.”

Paul Gudgin, former director of the Edinburgh Fringe Festival is also supporting the bid, giving guidance as a creative consultant. He helped transform the Edinburgh Fringe into one of the world’s best breeding grounds for comic, music and theatrical talent. Gudgin first became involved with Durham when he advised on the development of Brass: Durham International Festival.

“Glasgow and Liverpool represented attempts to revitalise large, post-industrial cities through culture. We have the opportunity to show that awarding UK City of Culture to Durham will represent a real contrast to the two European versions hosted to date. Durham is a romantic and striking city with compactness, historic beauty and opportunities to stage outstanding festivals and events. It is the perfect canvas upon which the city and county of Durham can make a major contribution to the nation’s cultural life,” said Gudgin.

Local support for the bid is also strong with over 4,000 people publicly pledging their support in just over a month. People of Durham have always known how wonderful their city and county is and they want to show this to the rest of the country and the world. Residents were offered the chance to back the bid when officials from Durham’s culture bid officially unveiled the logo and branding to be used. Exhibited in a community art gallery in Durham’s city centre the show pulled in enthusiastic crowds who pledged their support by signing their names on the walls of the gallery. Empty Shop will now go on tour around the region throughout autumn so as many people from the area can show their support.

An appetite for culture:

Durham already offers some of the most exciting cultural events and attractions in the UK The bid for City of Culture 2013 will only add to the wealth of events and programmes:

• Durham’s Cathedral is one of two UNESCO world heritage listed Cathedrals in the UK and is considered to be one of the best examples of Gothic architecture in the world. From early history onwards the city and county has always attracted the brightest creative minds and is the cultural heart of the city and the county.

• Producers of extraordinary live events Artichoke, renowned for La Machine, the Sultan’s Elephant and Antony Gormley’s Fourth Plinth commission One & Other will produce an ambitious and spectacular festival of light, Lumiere, in the city, building on last year’s Enlightenment Festival which attracted 30,000 visitors.

• The Durham Book Festival is one of the cultural highlights of the year, playing host to authors from around the world. This year’s festival sees books coming to life with author events happening in site specific locations. Victorian train detective writer Andrew Martin will hold an event at a restored Victorian train station in the village of Stanhope and the North’s Biggest Book Swap will take place right in the heart of Durham’s city centre.

• BRASS: Durham International Festival is an annual two-week festival of world brass music drawing artists from across the globe and audiences of over 80,000 each year.

• The award-winning Beamish Museum celebrating life in the North East in the 19th and 20th centuries and Locomotion: National Railway Museum telling the story of County Durham as the “cradle of the railways” are among the most popular attractions in the North East.

• The Bowes Museum a French style chateau that houses one of the largest collections of Decorative Art outside of London, built by 18th century art collector John Bowes for his wife.

• The Gala Theatre, Durham’s leading arts venue that produces new work, nurtures home grown writers, as well as attracting national productions and companies. The Arts Council England estimates that the Gala Theatre contributes £6.5m per annum to the local economy.

• Durham’s excellent sporting offering also strengthens its bid with the Durham Regatta, dubbed the “Henley of the North” the second oldest rowing regatta in England draws crews and major crowds for two days every June. Durham County Cricket Club has grown from gaining first class status in 1991 to winning last year’s English County Championship, and will host The Ashes in 2013 acting as an international test cricket venue until 2016.

The benefits:

Aiming to inspire people across County Durham and transform the economic prospects of this rural region, Durham’s bid aims to encourage people and communities to aspire and be inspired. By re-energising culture it seeks to reverse the trend which places Durham low on the league table of English counties for people visiting libraries and museums and attending cultural events.

The economic and social benefits to Durham are clear, winning the bid to be UK City of Culture would mean developing a creative place for people to work and live. As well as the pleasure of simply enjoying culture and encouraging residents of the county and the city alike to express themselves and their communities through culture, cultural regeneration has shown to improve an area’s economy, its residents’ health and wellbeing, the level of education offered and general quality of life.

Culture, tourism, sport and recreation businesses and creative industries employ nearly 10% of the region’s workforce, and contribute over £1bn per year to the regional economy. However, if the region is to emerge from the economic downturn in a stronger, more competitive position, there is a need to create quality places where people want to live, work and do businesses by finding new and imaginative ways of using culture. Re-stating Durham’s importance as a cultural centre will develop pride and aspiration in the county.

About Durham Festivals and events:

In 2008, Durham hosted the award-winning Enlightenment, its first-ever international light based arts festival featuring outdoor arts installations by Asian and British artists and inspired by the county’s religious and industrial heritage. 30,000 visitors saw Durham’s bridges, river, landmarks and shop fronts transformed into a stunning exhibition of light based art. BRASS: Durham International Festival is one of the world’s fastest growing festivals celebrating global brass music. Over the past three years, Durham has welcomed musicians from five continents and more than 20 countries and annual audiences in excess of 80,000 for two weeks of free street performances and big band concerts in July. At the same time, work is underway to revive the lost tradition of Mystery plays in Durham. These biblical stories are being reinterpreted through contemporary media by local Durham artists under the direction of the city’s Gala Theatre. Durham’s Book Festival attracts leading literary figures each year to celebrate the power of the written word.

In 2008, the festival was headlined by best-selling authors, Kate Atkinson (Whitbread prize-winner – Behind the Scenes at the Museum) and Bernard Cornwell (Sharpe series), TV comedian, author and activist Mark Thomas, and veteran BBC War correspondent Kate Adie

About the bid:

Durham’s culture bid is led by Durham County Council, in partnership with County Durham Partnership, Visit County Durham and Durham City Vision. The bid will centre around the following strands:

‘Cultural City – Cultural County’: a series of activities reconnecting the communities of the county with its capital city and vice-versa, re-energising the City as the economic, social and creative heart of the county.

‘Creative Durham’: a series of activities designed to enhance the county’s cultural life, encouraging community participation in cultural activities and promote Durham as an area where creative people can live and work.

‘Festival Durham’: an ambitious programme of events and festivals which will take Durham into the next decade, cementing its position as a true cultural destination.

The new UK City of Culture competition was proposed to enable towns and cities to access the type of culture-led benefits that Liverpool achieved as European Capital of Culture in 2008. Evidence of the impact to Liverpool in 2008 can be accessed at “http://www.impact08.net” www.impact08.net . Durham will be the first predominantly rural area to bid to take advantage of the benefits culture-led regeneration brings. Funding for the proposed bid comes from Performance Award Grant, money awarded to local authorities who perform well.

Contacts:
For further information / Use of pictures / Interviews
Idea Generation: +44(0)20 7749 6853
Ellen Harrison: ellen@ideageneration.co.uk
Emily Airton: emily@ideageneration.co.uk
Durham City of Culture site

Charles Darwin: evolution of a scientist runs at The Manchester Museum from 3rd October 2009 to 30th August 2010

Father of modern biology, failed medical student, pigeon fancier: see Darwin as you have never seen him before in The Manchester Museum’s unique graphic novel-style exhibition
To celebrate the 150th anniversary this autumn of the publication of Darwin’s seminal book On the Origin of Species, The Manchester Museum presents Charles Darwin: evolution of a scientist. Combining large-scale illustrations in a graphic-novel style, designed by artist Chrissie Morgan, with fantastic objects – many collected and studied by Darwin himself – this exhibition showcases Darwin in a way he has never been seen before. It offers a modern take on Darwin’s published work promising to be the highlight of the Museum’s year-long Darwin extravaganza.

Charles Darwin’s development of the theory of evolution by natural selection has been described as ‘the single best idea that anyone has ever had’. Confirmed by science, it forms the basis of biology and medicine today. Charles Darwin: evolution of a scientist will uncover the man behind this idea.

Visitors will discover key moments in the development of Darwin’s career, from a boy obsessed with nature to radical thinker. Graphic-novel style illustrations alongside Darwin’s own words and spectacular specimens – some collected by Darwin on his legendary voyage on the Beagle (1831-36) – bring the exhibition to life.

Taking viewers on a journey that explores the development of his career, the different scenes will present Darwin’s work and ideas. They will include moments from his early childhood and life as a student; his legendary voyage on the Beagle; an investigation of his working methods and the publication of his ideas in On the Origin of Species.

Some of the objects featured in Charles Darwin: evolution of a scientist include: the sextant he used to navigate with and carried in his pocket throughout the voyage of the Beagle; letters he wrote about insect-eating plants; pigeons he bred and collected; corals he collected from the Indian Ocean; packets of moss he collected in Tierra del Fuego in 1833, which were rediscovered in the Museum’s collection earlier this year; a tiny finch he collected on the Galapagos Islands and hundreds of specimens from the Museum’s collection, including a giant tortoise from the Galapagos Islands. Manchester’s own links to evolution, including the story of the Peppered Moth, which rapidly evolved into a dark form to camouflage itself against Manchester’s sooty trees in the industrial revolution, will also be showcased.

Curator of Zoology, Henry McGhie commented: “Charles Darwin is most familiar to us as an old man with a long flowing beard. Through Charles Darwin: evolution of a scientist, we wanted to communicate more about Darwin as a person, at the time when he was developing his ideas and to explore just what his ideas mean to us today. Working closely with our colleagues throughout The University of Manchester and with artist Chrissie Morgan, we have re-imagined Darwin’s world down to the minute detail of the flowers and butterfly species that he would have seen.”

To further examine Darwin’s impact on science and society, a packed events programme involving guest speakers from across The University of Manchester will take place throughout the exhibition. Events will range from talks on the latest scientific research in evolution and medicine to explorations of the misapplication and abuse of Darwin’s ideas.

The Manchester Museum has a number of links to Darwin’s work and ideas. The Museum owes its existence to Victorian scientist Thomas Huxley, popularly known as ‘Darwin’s Bulldog’. Many of the objects on display in the exhibition have been sourced from the Museum’s own collection. Others are kindly on loan from the Natural History Museum, World Museum Liverpool, Royal Geographical Society, British Geological Survey and John Rylands Library.

Contacts
For further information / Use of pictures / Interviews
Idea Generation: +44(0)20 7749 6850
Ellen Harrison: ellen@ideageneration.co.uk
Manchester Museum website